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"You Better Work!" Underground Dance Music in New York City, by Kai Fikentscher
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"You Better Work!" is the first detailed study of underground dance music or UDM, a phenomenon that has its roots in the overlap and cross-fertilization of African American and gay cultural sensibilities that have occurred since the 1970s. UDM not only predates and includes disco, but also constitutes a unique performance practice in the history of American social dance.
Taking New York City as its geographic focus, "You Better Work!" shows how UDM functions in the lives of its DJs and dancers, and how it is used as the primary identifier of an urban subculture shaped essentially by the relationships between music, dance, and marginality. Kai Fikentscher goes beyond stereotypical images of club and disco to explore the cult and culture of the DJ, the turntable and vinyl recordings as musical instruments, and the vital relationship between music and dance at underground clubs. Including interviews, photographs, and an extensive discography, this ethnographic account tells the story of a celebration of collective marginality through music and dance
- Sales Rank: #861057 in Books
- Brand: Brand: Wesleyan
- Published on: 2000-08-18
- Original language: English
- Number of items: 1
- Dimensions: 8.95" h x .57" w x 5.98" l, .50 pounds
- Binding: Paperback
- 176 pages
- Used Book in Good Condition
Review
"New York City readers will surely enjoy his tales of a thousand and one club nights at the Tunnel, Mars, Twilo, the Garage, and the Palladium, where we find such dominant turntable masters as Junior Vasquez, David Morales, Little Louie Vega, and Danny Tenaglia working and creating."—Boston Phoenix
Review
"Fikentscher understands the historical importance of disco as few writers do. He guides you effortlessly through the evolution of the DJ from spinner to mixer to remixer to producer. He offers insightful and pathbreaking connections to the black church and to gay expressivity. And he is able to translate the emotional language and transformative experience of music and dance into engaging, readable prose. It's the next best thing to dancing itself!" (Reebee Garofalo, author of Rockin' Out: Popular Music In the USA)
"'You Better Work!' is not just the only serious book about underground dance music in the U.S. It is also a very good book. Fikentscher documents several crucial music scenes before they mutate into the night." (Andrew Ross, Director, American Studies Program, NYU)
From the Publisher
6 x 9 trim. 26 illus. Fig. 2 charts.
Most helpful customer reviews
1 of 1 people found the following review helpful.
It reads like a textbook.
By Chicken Fries
This book is informative, but it's a dissertation and reads like one.
I'm only 30 pages into it and it's a bit exhausting for me. If you don't mind the formality, then it's a good book. For example:
"Here, I am concerned with disco as a concept denoting a particular performance environment in which technologically mediated music is made immediate at the hands of a DJ, and in which this music is responded to via dance by bodies on the dance floor. "
He could have wrote that he is "interested in disco in terms of how the DJ's music makes people dance."
But it's a dissertation...so, it is what it is. I'm enjoying reading it. But I have to read some lines more than once.
0 of 0 people found the following review helpful.
Five Stars
By Bad Boy Mike
Enjoyable reading
7 of 7 people found the following review helpful.
Excellent tour of the scene - erudent and accessible
By Eric Laursen
There's amazingly little "serious" literature on the NY underground dance scene, even though it's been around for decades and now has counterparts all over the States and all over the world. There's not even that much non-serious, vapid stuff about it, either, in fact. So Fikentscher's book really merits the worn-out phrase, "essential reading," because it explores all aspects of the subject in a serious but accessible way: the origins in the disco era, the gay-black-latin interrelationships, how form and function and venues combined to produce a distinctive music, the various outsized personalities, the "quality of life" campaigns that periodically threaten to squash the scene, etc.
The author is obviously conversant with all the critical-theory tools and concepts that help to illuminate this kind of subject, and he uses them well here, yet he's produced a book that the average scenester (if there is such a person) could read and would probably approve of (the pomo academic dream come true, I guess).
Anybody with even a mild interest will find this book engrossing (I picked it up and couldn't stop), and I suspect that even long-time insiders will learn a few things. Kudos to Fikentscher for producing something this good on such a fascinating, diverse world.
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